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| Dear friends and colleagues,it is very exciting to announce that this coming Saturday, on October 26th, the MA/MFA: Choreographing Live Art of the University of Lincoln presents a mini festival of Dead/Live Art at the Frequency Festival. |  |
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| This mini festival, APOCALYPSE, THE DEATH OF PERFORMANCE is a semi live, semi dead, Zombie creature that will penetrate your imagination and haunt your minds with fears, hopes and doubts about the future of this performance. In the year 2014, this performance will die. Obsolescence will empower a new mythology for the old forgotten event, completing the circle from death of performance to its guarantee. The performers function as mediums and clairvoyants presenting their apocalyptic visions from their residency in France. | |
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| (Dis)remembering: An archive of me and my father Fenia Kotsopoulou Studio 1 // 1800-2100 Ongoing installationUsually archives are made to keep artefacts safe, preserved and many times secret. This archive demands the opposite from you. This archive documents my troubled yet intimate relationship with my father. You are allowed steal, destroy, eradicate or erase all the data and informations of this very private archive. |
In dialogue with William Wegman Eirini Atmatzidi Studio 2 // 1800-2100 Ongoing installationThis new media installation foolishly aims to restore to the human what was lost when they passed from the state of an ape to the “intelligent” state of humanity: truthfulness in simplicity. Playing between the margins of reconstruction and transcription, this installation just might put a smile on your face. |
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| The Ethics of Apathy: A Performance Lecture Vagia Kapousidou LPAC Auditorium // 1930-2015 Performance LectureVaya Kapousidou , a psychoananalytic counselor and a live artist, comes on stage to marry her two professions in a refreshing format. This scientific(ist) performance is the product of experiments, bizarre experiences and circumstances. An unexpected journey, one performer, one camera and a disappointing outcome… |
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